Nice Boat!

Today Harlem Station reached another historical step in its ongoing history. Adding boats to a marine scene is truly the only way to make it believeable.

I finally completed the tugboat "Chicago" today by gluing some accessories. By far, I'm very satisfied by results because there's very little discrepancies with the real prototype. Unfortunatley, I can say the same about my failed attempt to convert the 1:72 Revell Coast Guard Tugboat which could someday end up on another layout or diorama.

Color pictures of Erie tugboats in the 50s show them quite shiny and well-maintained thus I decided to kept Chicago relatively clean.

Grade Crossing Festa?

 I once thought until last year only one road access on East 150th Street existed. Photographic evidence quickly demonstrated another one existed on the service road parallel to 149th Street bridge near the pier.

Then Chris revealed last week a third one in front of the station on East 150th Steeet. That made a lot of sense. However, as fellow modeller Jérôme tolf me when he visited, the trucks would have a hard time to turn around the team track concrete ramp. The problem is I didn't fudge the dimensions to fit my need. I followed the prototype and I'm pretty sure I'm not far from reality there.

But Armand Isip, another fellow modeller from New York City, was kind enough to contact me this week and provide links to archives documents available online at NYC Department of Records website.

Among the photos, a very precise city map emerged... and guess what? The grade crossing are drawn... not only three of them, but four!!!

As you may have guessed, the fourth crossing/access road was located right in front of the concrete ramp, eliminating the need for complex truck movements.

Harlem Station Map


Among the nice find are also a set of color pictures from 1983-1988 showing the freight station elevation on East 150th Street intersection. Now, there's absolutely no reason not to start working on this project. And once again, a big thanks to Armand for pointing out these interesting informations and it's a pleasure to share it among other Harlem Station modelers as he requested.

Harlem Station Freight House

Harlem Station Gantry Crane

Updates, Requests & Questions

The project reached a interesting level of completion and some aspects need to be addressed.

 

Updates

Grass and weeds are almost completed. I also started to heavily weather the concrete pads, particularly in the coal dealer areas. It's quite promising and it blends everything together nicely.

I also started to build the concrete ramp out of styrene. It's already in the weathering process and when dry, it will be permanently glued on the layout with epoxy.

Requests

I'm looking for second hand or unbuilt cars to populate the layout, mainly from North Eastern roads. I'm open to any reasonable offer and cars can be old kits or RTR models, as long as they are suitable for the mid-1950s and fit the theme. I have no preference for manufacturers, as long as they are decent. But remember, no trainset quality stuff (Model Power, old Life-Like, Bachman, Tyco, name it).

According to historic pictures of Harlem Station, here is a list of suitable cars to give you an idea of what I'm looking for. Sure, Erie cars should be a priority.

40ft Steel and OSB wood boxcars: mainly Erie, Pennsylvania, Milwaukee Road, Southern, Norfolk & Western, ATSF (Chief, DF), Monon

Steel hoppers (varied prototype): Erie, Pennsylvania, Reading, Lehigh Valley.

40ft & 50ft Flat cars: North Eastern Roadnames.

40ft & 50ft Gondolas: North Eastern Roadnames.

40ft Reefers: FGE (steel, insulated with plugdoor), wine (Chateau Martin, etc.)

Feel free to contact me at matlac@gmail.com

 Here's a more comprehensive list I once made:

Roadname	Type
Erie	Steel boxcar
Erie	OSB boxcar			Accurail 4116
Erie	Twin hopper outside brace		26551
Pennsy	Old 40' steel boxcar	Round Keystone
	Reefer
Pennsy	OSB boxcar 8 panels			Accurail 4304
MILW	OSB boxcar 6 panels			Accurail 7005
D&H	Outside brace steel hopper
C&O	Steel boxcar DD	With the logo
PFE	Wood reefer
	50ft gondola
ATSF	Steel boxcar 50ft	DF logo	11129
N&W	Steel boxcar DD		43384
Pennsy	Twin hopper g panel
Pennsy	Quad hopper 10 panel
Erie	Boxcar	Big logo
ATSF	Steel boxcar	Chief
B&O	Steel boxcar
Ann Arbor	Steel boxcar
Erie	Gondola
Monon	50ft boxcar
PFE	50ft reefer	Yellow
N&W	Steel boxcar	Large lettering
W&M	Rib hopper
CNJ	Steel flat hopper	55 ton
Lehigh Valley	Hopper 55 ton

 

Questions

Chris Schmuck kindly remarked another road crossing existed near the freight house. This area was never documented during Harlem Station's existence.

First: What's the exact location of the crossing (photographic evidence?). Here are two options.

Second: I need information about the freight house. The facade on East 150th Street is never depicted on photos I've seen so far, particularly the 2 storeys part. Any hints or factual information would be appreciated.

Some Greenery

Even a highly contaminated and mineral area like Harlem Station wasn't a sterelized place like we would like to believe.

Following historic photos, some vegetation found its way among the tracks and empty spaces surround the station. I tried to capture this appearance by using static grass. It's a mix of 3 colors, including straw yellow, greyish green and a Noch spring mix. In few area, grass was applied in two or three layers to add depth and variation.

While grass isn't a overwhelming presence on the layout, it does help to throw some randomness in that sea of dirt and concrete. I'm not sure if I'll add weeds and larger plants because old pictures mainly show very short grass here and there.

Weathering Concrete and Soil

Pictures of Harlem Station show the area was extremely dirty. The concrete pads were covered in coal dust and mud while the roadbed was a grungy mess with oil stains.

To reproduce this characteristic on the layout, it is crucial to do a weathering process following several steps.

Following several prototype pictures, I dusted the carfloat apron area with lots of weathering powder to reproduce the very dark and dirty look of the ballast. Following this application, a oil paint wash was applied.

Black weathering powder was also applied over the coal spills on the tracks.

Finally, a very liberal dirty oil paint wash was applied with a large brush over the concrete pads. Prior to this application, I carefully scribed a few cracks to give some texture to the cardboard surface.

This is only the beginning since the pictures show the concrete was far more dirty than that. The soil at Harlem Station must be extremely contaminated!

Improvements, Wiring and Operation

Motivation came back and work has resumed on Harlem Station. The first major modification was changing the bluish gray color of the concrete pad by a more prototypical light tan color. It was easier to do than anticipated but required a lot of masking tape!!!

It was also time to glue the steel girder on the wood supports over the pontoon. Some details and weathering are still lacking.

 Then it was time to do the wiring. With Jérôme's help, we did a minimal job here. Cleaning the rails, turnouts and connections was a real pain and there's still a lot of work to do. Later, I want to improve the wiring a little bit. But let's just say we can run train with not too much hiccups to be bothering.

The third thing to do was to add weight to the freight cars à la Confalone. Why? Because with radii as sharp as 13", normal freight cars have a tendency to derail at an alarming rate. Now, the cars all weight around 8 to 9 oz and they performed flawlessly during our first mock up operation session. Must I stress the layout is an "exact" replica of Harlem Station and that 50ft cars did find their way without problem - albeit at low speed - on this intricate set of tracks. Forget the fancy Bronx Terminal, Erie built a spartan affair without using a single curved turnout.

And finally, we enjoyed the first ever operation session on Harlem Station since the late Carl Arendt wrote about my project back in the days. I'm pretty sure he would have loved to hear about our impressions. Let's just say it is a very strange experience to be facing a model railroad devoid of any selective compression. What we saw and the miles we travelled were the real thing. That's quite impressive.

Some action during the operation session

Our improvised operation session took an hour at a leasure pace. We spotted 12 cars and pulled out the same number. The carfloat wasn't at full capacity, so I guess 90 minutes would be required if it was the case.

We had to improvised a little bit how to handle the cars, but it looks like you are almost forced to use the carfloat as a yard because there is no place to store all the cars on the property. It may sounds inefficient, but in fact it isn't. After a few moves, we got a good grasp of the pattern.

What is strange with such a small layout standing in the middle of the room is tthat you feel you are playing at some king of board game. Quite weird. We were sitting during the entire session with the layout at eye level. The weirdest thing of all was to be standing where famous pictures of Harlem Station were shoot 60 years ago. Since the layout is accurate, the panorama is exactly the same.

Ground Cover Over

Mark this day as it is the first time in 2 decades I ever complete ballast and ground cover on any layout I ever built.

Ballast is a mix of various dirt, sand, sandblasting sand and charcoal. It's only a starting point as I'll have to adjust coloration here and there with washes, pastel powders and various material. Harlem Station was a very dirty place to be. Some weeds will also be needed here and there.

Landmark

Lot of stuff happened during the last two days. I won't waste my time struggling with futile words.

First, I painted the carfloat. After a basic coat of Krylon camouflage brown, I decided to try a method I once heard but never really applied. Instead of building the weathering pattern with several layers, I just used heavy washes of cheap acrylic paint including burnt umber, burnt sienna, Payne's grey and yellow ochre. Those water-based washes were really liquid and I dabbed and stippled thinned paint here and there. The idea was that those "floating" colors would merge together instead of drying. Some colors pool here and there. The nice thing is that the puddles leaves a very realistic weathering pattern. So far, I did the operation 3 times. I plan to lighten the overall color a little bit again with more drastic contrasts. I was once told in my teenage years that my drawing skills were good but that I was too shy to add light and shadows. Since then, I try to fight that natural tendency! With little success! Other weathering technics will be used, but I feel this technic is worth using. Very fool proof, no real talent needed, physic laws do the job for you.

Next project was to build the iconic Erie bridge crane (not sure it's the good name for that thing). Getting the thing right was very important because this crane is visible and easily recognizeable on every Harlem Station pictures. That's the mascot! I used Central Valley bridge parts. Well, I completely depleted my stock and had to butcher my CNR Courtesy and Service bridge! Oh well, you can start throwing rotten tomatoes! Wood used was custom cut cedar patio planking leftover from my last week home improvement project. I stained the wood with tea and coated them with my steel wool/peroxyde mix. The mix is now more than a week old and works even better. The black painting was done with India ink and alcohol. The "Erie" lettering was drawn to scale from picture. This is the REAL thing, not some "quite similar" font. I printed them on Walthers decal paper, coated with dullcote. My first try was a few years ago when I did my QRL&PCo gondolas and hoppers. Back then, I used Krylon flat finish and the decals ended very thick and hard to work. With dullcote, they stay very thin. That's the way to go. Still a long way to go before this crane is completed, but the basic work is now done.

 

 

Finally, I also started to ballast tracks with several material taken in the backyard: sand, dirt and some wood coal. My first mix add too much fine powder. It really makes it hard to glue. I finally decided to resift the dirt several time outside in the wind to get rid of the fine particles and keep the rocks.

Harlem River Waters

A few days ago, I decided to complete the water body. It's my first time modelling water even if I've been doing model railroading for over 25 years now. Harlem River waters are your
typical greyish/brownish color found on any urban setting According to pictures, the surface is moderatly rippled.

The first step was to add the bridge pontoon. It's basically a block of MDF. I rusted it using acrylics and cosmetic sponges. These work wonders. I started by applying a base coat color mixed with chocolate brown and green. When dry, I airbrushed the seawalls base with a mist of alcohol and India ink. I made sure the water near the walls was darker to give the impression waters are deep there.

Next step was to apply acrylic gloss medium gel. After a few minutes, when starting to get thicker, I dabbled the surface to create the ripple. A lot of air bubbles got trapped into the mix and it was really annoying to remove them. It wasn't perfect, but still decent. The next morning, another coat was added and dabbled. For this second coat, I added some acrylic paint to the medium to get a darker shade of my base color. I used it to create shadows on the water. I often saw that kind of shadow when St. Lawrence river's waters are muddy. Some highly were also added and I dramatized the shadow near the walls.

 
Finally, today, I added two coats of Future Floor finish. I heavily diluted Citadel washes to make this layer muddy. It really helped to subdue my crude painted shadows. They are quite cartoony I must say. At least, when the tug and carfloat are there, it looks better. I'm aware it could be better, but show must go on. I have to fit against my improductive perfectionnist state of mind for once. Anyway, the layout is already beyond Jérôme's expectations.

I also built concrete walls with cardboard. These will surround the property on 148th Street and Exterior Street. They were painted with Krylon flat camouflage beige then weathered liberally with oil paints. When dry, I dullcoted them. I love those easy technics, they really bring life to the most generic structures.

The carfloat is also getting a coat of paint and rust. More to come.